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Graphic Designer — Doha, Qatar
Designing for Qatar's public sector. Seen by millions. Published officially.
38 pages. 5 departments. Arabic typography, data visualization, infographics. Covers digital transformation milestones, Sharek platform stats, and government excellence programs. Presented to Qatar's top officials.












Delivered to Qatar's top government officials. 6-phase service redesign methodology. KPIs, process flows, digital transformation roadmap. Arabic-first with bilingual infographics.

15+ issues. Arabic-first layout, bilingual editorial structure. Print and digital. Consistent from issue one to the latest.


Brand identity and guidelines for Qatar's Sharek platform. Logo system, color palette, typography rules. Built to scale across government digital and print.



Brand identity guidelines for Fehres. Logo system, color philosophy, typography hierarchy. Dark editorial aesthetic — gold and cream on black.



Surrealist imagery — astronauts, birdcages, broken mirrors — to talk about domestic violence and child safety. Designed for emotional impact, not decoration.



COVID-19 awareness and orphan care campaigns for Dreama. Bilingual Arabic/English. Strong visual identity, consistent messaging — designed during the pandemic.




Social awareness campaigns for MSDF. Watad series, marriage support, Sowalef Kbar. Bilingual Arabic/English. Social development, youth, community.



Brand identity for Abshir — Qatar's government digital services platform. Logo system, brand guidelines, stationery. Built for a national-scale audience.



Full brand identity publication for Anta Molhem. Final guidelines, index, and brand sheet. Arabic typography, editorial layout, print-ready.



Company profile and brand identity for Nineties Media. Full publication design, Arabic/English, editorial layout with the brand's retro-modern aesthetic.

Service design proposal for SAHL — a Qatar government initiative. Presentation design, Arabic infographics, process flows, and service blueprints.
Live broadcast graphics on the world stage.






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Broadcast, government, brands. Every project is a communication problem. I fix it. The UCL Final V.Wall is the same craft as a government annual report — different screen, same standard.
Very few designers in the GCC do both. Live broadcast graphics at FIFA/UEFA level and Arabic government design systems. I've spent the last decade doing both — at the same time.
Egyptian, born in Qatar. 8 years in Doha. I know the culture, the language, and what it takes to deliver on deadline — live.